| Every week, we select a wine from the
store as our Insider's Pick.
We send out tasting notes to our email customers the evening
before, and have the wine open to taste at the store Thursday
and Friday from 12:00 until closing. If you purchase the wine
on the days it is tasted, you receive a 10% discount
from the bottle price, and a 15% discount if the wine is part
of a mixed case (no further discount on 1 item cases).
Below are the tasting notes from the most recent
Insider's Picks.
Dates: 03/11 | 03/04 |
02/25 | 02/18 | 02/11
| 02/04 | 01/28 | 01/21
March 11, 2010
2005 BODEGA BENEGAS FINCA LIBERTAD
(Wine Advoca te 91points)
$21.99, $18.69/case
Here’s another great reminder that Argentinean wines are
not all just about Malbec, and few other wineries could make
this statement as well as Bodegas Benegas. The winery and its
vineyards date back to the earliest days of Argentine winemaking
and the late 1800s, when family members first brought French
varieties in to plant in Mendoza. While many vineyards were
planted to the more popular grapes like Cabernet Sauvignon,
Merlot, and Malbec, these vineyards also contained some of the
first Pinot Noir, Chardonnay, Syrah, Petit Verdot and Cabernet
Franc vines in the entire country. Up until the late 1970s when
the original Benegas family winery was broken up and sold, they
held the only plantings of those varieties in all of Argentina.
This ‘new’ rendition of the old winery makes wines
from some of those older sites; the Cabernet Sauvignon vines
average 40-60 years of age, and the Cabernet Franc that goes
into this wine is some of the oldest outside of France at almost
100 years. These older vines give the wines added complexity
in a structure that is more Bordeaux-like than most things we
have tried from Argentina. From the first whiff the Cabernet
Franc component is immediately evident with notes of flowers
and higher toned red fruits above the strong blackcurrant notes
of Cabernet Sauvignon. While many bigger Argentine wines would
be released fairly young to emphasize their intense but raw
ripeness of fruit, the extra few years in the bottle has allowed
this one to come together with more elegance. It’s still
a fairly big wine to be sure, but not heavy or cloying. The
texture is very polished across your mouth, giving the dark
red fruits and cocoa notes easy access to your palate as opposed
to bullying their way in, and allowing the tannins to show their
dusty yet forceful grip only across the finish. Because of the
liberal use of Cabernet Franc and the bottle age, this is a
wine that may hold more promise for Bordeaux fans than most
Californian Cabs.
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March 04, 2010
2007 DOMAINE DES ENTREFAUX CROZES-HERMITAGE
$19.99, $16.99/case
When we first tasted this wine about a year ago, we thought
it was going to be one of the big winners of the vintage. Good
value can be difficult to find in the Northern Rhone, where
Syrah is the dominant grape, growing conditions are cooler and
a bit irregular, and vineyard sites are at a premium. But this
wine has received strong press in the past, especially in high
quality vintages, and even in the middle of a tasting with a
strong lineup of Grenache based wines from the Southern Rhone
ad Chateauneuf-du-Pape, we thought this had great potential.
It’s been a pet wine of ours of ours ever since, and even
though there were no reviews to speak of we know this is still
so full of win. We trusted our palates, and now you will reap
the reward. From the first whiff, you know that somebody must
have just forgotten to get the samples out there, because the
nose is classic French Syrah, a mercurial combination of black
fruits and wild game. Both gain in intensity as the wine opens
up, but neither becomes overwhelming or heady. On the first
sip, you notice a fullness of fruit and silky red fruits, but
what is most fascinating is what is NOT there; a total and absolute
absence of and sweet or glycerol texture, and zero heady alcohol
burn. At just under 13%abv, it has a structure more similar
to a Bordeaux than to what many have become accustomed to from
the Syrah grape. And yet there is absolutely nothing under-ripe
or lacking here, no green or vegetal notes to suggest a less
than successful vintage, nothing thin or harsh anywhere to be
found. If anything, the wine picks up richness the longer it’s
open, building layers of cocoa and tart cherry skin through
the finish. This is very old school Syrah, more about sinew
than pure size. In a way, it’s a good thing there wasn’t
huge press on this, because then we wouldn’t get to enjoy
this wine here in the store while it is in such a great drinking
place right now.
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February 25, 2010
2008 BODEGAS ATECA ATTECA OLD VINES
$16.99, $14.44/case
Wine scores can be a tricky thing. They can help steer you to
great new wines, especially if you trust the palate of the person
writing the reviews. But you don’t want to become overly
dependent on them, waiting for one of the more respected names
to put their stamp of approval on something before you buy it.
For example, fans of Spanish Garnacha will immediately recognize
this bottling as it has been a media darling over the last several
vintages. Since its inception as a collaboration between importer
Jorge Ordonez and Jumilla based winery Juan Gil, this limited
production selection from vines averaging 80-100 years of age
has been landing squarely on the magic 90 point button from
all three of the more prominent and respected American wine
reviewers (Wine Spectator, Wine Advocate, and International
Wine Cellar). While individual consumers may heed the advice
of one more than the other, the fact that they have been so
consistently in agreement with their praise speaks volumes.
But wine reviews have a tendency to not align very well with
when the wines become available, especially when the publication
has an issue devoted to covering the region in total, delaying
the review weeks or even months after the wine is on the shelves.
If you wait too long for the reviews, those that take it upon
themselves to try it and form their own opinions and beat you
to little gems like this. Deep, almost opaque purple color in
the glass are signs of minimal filtration and very low yields,
which help to intensify the body and flavor of the wine. The
aromas are initially mostly smoky black fruits and notes of
oaky vanilla, but fairly quickly show spicy raspberry and hints
of earth as well. In the mouth the texture is impressively lush
with almost invisible fine tannins and low acidity very common
in Spanish Grenache, allowing the silky red and black fruit
flavors to be the dominant feature of the finish. Don’t
wait for someone else to tell you how good this is (including
us), get a taste for yourself.
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February 18, 2010
2008 CHATEAU BIANCA PINOT NOIR WILLAMETTE VALLEY
$15.99, $13.59/case
The Pinot Noir grape rides the tides of the changing
seasons more tightly than any other in the fine wine world,
amplifying every positive and negative event that occurs in
the final wine. You would think it logical, then, that growers
would plant Pinot Noir in the sunniest, warmest, and most consistent
areas to alleviate that problem. Unfortunately, when life is
made easy for it, Pinot responds with lazy, soft, uninspiring
wines or is too easily damaged by extreme heat. It likes its
life lived on the fringes of existence where it sees just enough
sun and warmth to fully develop, slowly and gradually ripening
to gain the trademark subtle yet profound complexities. The
last two vintages in Oregon’s Willamette Valley are shining
examples of this conflict, as the last two vintages have been
dramatically different from each other. 2007 was a very trying
vintage, very cool and overcast through most of the year and
rainy in late September just before harvest. Most wines were
not flawed by rot or damage, but tended to be lighter bodied
and a bit more tart than usual due to higher acidity. Good smaller
wineries that know what they are doing were not effected much,
and those that tend to make wines in a lighter, more Burgundian
influenced manner like store favorite Patricia Green made wines
just as good as ever. But there was a lot of very blah wine
to be had. 2008, on the other hand, looks to be a benchmark
vintage for the region, near perfect weather throughout the
vintage, and with more wineries than ever ready to take advantage
of the bounty. Like 2007 was for California and Southern France,
if you didn’t make good wine this year, it may be time
for you to find another profession, because the wine gods won’t
be serving up many softball pitches like this. Now is the time
we see the first waves of wine from this vintage, the everyday
drinkers that spend very little time in wood and are meant for
immediate consumption. And consume it you shall! Beautiful deep
cherry color, and immediate aromas of smoky black cherry and
subtle Asian spice that get more subtle and sweet as it opens.
The mouth is very silky and filling, light but not watery at
all, with a surprising amount of depth and fine tannin on the
finish to prevent any comparisons to much of the cheap cherry
cola that passes for inexpensive Pinot Noir these days. A testament
to the quality of the vintage, and a great sign for what is
to come.
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February 11, 2010
2006 FATTORIA SCOPONE 'IL GREGORIANO' SANT' ANTIMO DOC
$18.99, $16,14/case
In the midst of the recent string of exceptional vintages in
Tuscany, scandal has plagued the reputations of quite a few
producers in Montalcino, and tarnished the image of the region
as a whole. Several prominent producers were accused of making
Brunello di Montalcino- the region’s flagship wine which
is required to be 100% Sangiovese- using outside varietals like
Cabernet Sauvignon, Merlot, or Syrah. Many believed the accused
were strengthening and intensifying their wines to gain more
recognition with the very influential American wine press, which
has developed a reputation for being easily swayed by such wines.
The crime is in the subversion, the corruption of what is supposed
to be a very pure and singular wine under the name Brunello
di Montalcino. The crime is NOT, however, in blending these
grapes, because they are allowed to be grown here and blended
into wine under the Sant’ Antimo denomination, or DOC.
Created fairly recently in 1996, this DOC essentially overlaps
the lines of Brunello, and was established to give wineries
some leeway to experiment with other varietals. Usually Sangiovese
is blended under this name with the more famous and recognizable
grapes like those used to potentially spike Brunello mentioned
earlier. This small producer goes a different route and blends
in a little Petit Verdot, creating an unexpectedly deep and
savory wine. Bordeaux-ish crimson colored, the nose is mostly
dark dried fruit, anise, tree bark and tobacco, stemming mostly
from the Petit Verdot. The grape’s intensity still shows
through in the mouth as well, though the Sangiovese starts coming
through more here with signs of tart red fruits, silky texture,
and Italian spice, at least until the Petit Verdot kicks in
some pretty chewy tannins on the finish. This is an impressively
bold and structured wine for the price, capable of some mid-length
cellaring of 4+ years, as well as a great red meat or wild game
pairing now.
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February 04, 2010
2006 NEWTON VINEYARDS NAPA VALLEY CLARET
$19.99, $16.99/case
As we prepare ourselves for the next super-sized snowstorm (or,
as it has been billed here, “Snowzilla II: Electric Boogaloo”),
we figured the majority of you would be looking for wine to
help keep you warm during the next 3-5+ days of home confinement.
When Napa Valley wineries aren’t being completely full
of themselves and pricing their wines into the stratosphere,
they really and truly can make great quality wines for the money,
delivering a silky, seductive and complex drinking experience
for a very reasonable price. Newton Vineyards was one of the
first producers to venture up into the rugged peaks of the Spring
Mountain District above St. Helena, and though their name has
been made from their higher end Unfiltered series of Chardonnay,
Merlot, and Cabernet, their value line Red Label series has
really driven the brand’s recognition for most consumers.
The Claret is very close to being a Meritage, which uses only
the traditional Bordeaux grapes, as was the case a few weeks
back in the Insider’s Pick with the Dry Creek Meritage.
Newton chooses to add a small bit of Syrah to the blend most
every year, so the Meritage term is off limits. The breakdown
each year varies some, but Merlot usually is the dominant grape.
Don’t let any of your Merlot biases prevent you from trying
this, however, because this is far from tame. Deep, deep ruby
color prepares you for a fairly strong aroma blast of black
cherry and blackcurrant, a hint of perfume from the Cabernet
Franc, and a surprisingly firm note of iron and anise from a
small portion of Petit Verdot. In the mouth the texture is moderate
in weight and incredibly silky, almost supple except for a bit
of fine chocolatey tannins on the finish. This wine is open
and smooth enough that it can be enjoyed fairly quickly after
opening, but definitely builds in complexity as it opens, so
when you’re stuck at home with nothing exciting to do
you can enjoy playing with and watch it evolve over several
hours.
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January 28, 2010
2005 QUINTA DE LA ROSA VINHO TINTO DOURO
$17.99.,$15.29/case
Portugal has a strong wine industry beyond the realms
of fortified Port wines and light bodied Vinho Verde, mostly
for fleshy, full bodied reds. Their style tends to be similar
in many ways to Spain, but have not experienced the success
and media blitzkrieg of their peninsular neighbors. Volume certainly
has something to do with it to be sure (Spain has more acreage
under vine than any other country in the world), as well as
the connection with Bordeaux and Rioja in the late 1800s that
helped establish their reputation for quality. Otherwise Portuguese
red wines have been a somewhat forgotten product; it’s
as if people they start their meal with a Vinho Verde, finish
with a Port, and have nothing in between. The last decade has
seen an increasing awareness and improvement in Portuguese reds,
at least in terms of what we’ve been able to get our hands
on here in the states, with the best wines coming from the same
grapes used to make Ports. Tempranillo (called Tinta Roriz here)
usually isn’t a major player in Port, but in red wines
it is as instrumental as the Spanish wines from upriver in Ribera
del Duero. The other prized Port grapes (Touriga National, Touriga
Franca, and Tinta Barroca) play lesser roles in these wines,
but you can still definitely catch their presence in unfortified
wines like this, bringing a rich plummy fruit aroma and impressively
deep purple color. A bit of time has been kind to this wine,
providing some elegant smoky aromas behind the purple fruits,
and though there are still some fairly strong chewy tannins
here, they delay themselves until later on the finish, allowing
much of the wine’s time on the palate to be silky and
loaded with flavor. Fans of Spanish wines from the Duero and
Toro regions would be well advised to experiment with wines
like this as the Port grapes bring some unique dark fruit characters
to enhance the Tempranillo, and they tend to be less aggressive
and alcoholic as well.
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January 21, 2010
2007 FRIEDRICH BECKER PIOT NOIR PFALZ
$17.99,$15.39/case
As many of you frequent readers will know, Pinot Noir
has a well earned reputation of being extremely difficult to
grow in many (some would venture MOST) pars of the world. Easily
rots in humid regions or when it rains at the wrong time, the
grape’s flesh burns easily in heavy sun. Too hot and the
juice is overly sweet and insipid, too cool and the juice is
hard and tart with barely any color at all. Some places, like
Sancerre, plant Pinot Noir with an almost implied expectation
that it will provide juice for Rose wines (delicious ones, to
be sure), and there is much rejoicing when a vintage yields
more than a few successful Pinots. So why do so many wineries
all over the world still plant this grape, which seems in many
ways to be at best a fool’s wager? Because, when all the
factors align and Pinot Noir is at its best, oooh baby. Few
if any red grapes can match it’s deft combination of subtlety
and complexity, layers upon layers of aromatics and red fruits
that can vary from site to site more so than any other grape.
It’s the reason vintners in Burgundy, Pinot Noir’s
epicenter, will cling to individual rows within the more famous
parcels for the opportunity to make a few mere barrels worth
of highly prized wine. Germany has never been much of a Pinot
Noir (also called Spatburgunder on some labels) destination,
generally considered too cold to ripen the grape very consistently,
with the possible exception of the Baden region, found across
the Rhine from Alsace in France. Recent warm vintages across
Germany has provided better opportunities for Pinot growers
to achieve their fullest potential, and the best of them have
actually been quite impressive. Freidrich Becker has earned
a reputation as one of the finest Pinot Noir producers during
this time, with his top end wine (at $150, it’s priced
like a Burgundy) considered by International Wine Cellar reviewer
Joel Payne as “one of the best (Pinot Noirs) I have ever
tasted from Germany.” This entry level is not quite at
that level, but the expertise certainly is evident. Classic
Pinot Noir opaque and dusty ruby color, the aromas are full
of smoky red cherries and hints of dried herbs and cinnamon.
The biggest surprise here is in the first sip, surprisingly
juicy and silky with no astringency or harsh edges, with plenty
of racy black and red fruits running through to the finish,
drawing comparison with some of Oregon’s more European
styled producers, or even some of the Pinots from Italy’s
Alto Adige region we have featured. I wouldn’t necessarily
say this wine is the sign that Pinot Noir is going to be like
this now and forever from Germany, because cooler vintages will
kick that trend to the curb in an instant. I would definitely
say that this is a sign that the Germans have picked up their
game regarding Pinot Noir, and Pinot fans should definitely
put wines like this on their immediate drinking list.
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